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Paisley (design)

Paisley or Paisley pattern is a droplet-shaped vegetal motif of Persian origin, similar to half of the Yin yang symbol, or the leaf of the Indian bodhi tree or the mango tree; or to a leech. The pattern is sometimes called "Persian pickles" by American traditionalists, especially quiltmakers, or "Welsh pears" in Wales textiles as far back as 1888.

European introduction

Imports from the East India Company in the first half of the 17th century made paisley and other Indian patterns wildly popular, and the Company was unable to import enough to meet the demand. It was popular in the European Baltic states between 1700 and 1800 and was thought to be used as a protective charm to ward off evil demons. However, in modern culture, the youth of these countries have used it as a symbol of rebellion. See "iconic use" below.

High-profile iconic use

Paisley was particularly popular during the Summer of Love, heavily identified with psychedelic style and the interest in Indian spirituality and culture brought about by the pilgrimage of The Beatles there in 1968. John Lennon had a Rolls Royce painted with the design in 1967.

Contemporary style

Paisley design had a renaissance in 2000/2001 and most recently 2004 and early 2005, when men's designers such as Robert Talbott began using the pattern again in ties.

Pasiley site encyclopedia information

Paisley (design)

Paisley or Paisley pattern is a droplet-shaped vegetal motif of Persian origin, similar to half of the Yin yang symbol, or the leaf of the Indian bodhi tree or the mango tree; or to a leech. The pattern is sometimes called "Persian pickles" by American traditionalists, especially quiltmakers, or "Welsh pears" in Wales textiles as far back as 1888.

Origins

Resembling a large comma or twisted teardrop, the kidney-shaped paisley is one of the most recognized patterns in the world. The lacy pattern is Persian in origin, but its western name derives from the town of Paisley, in central Scotland.

Some design scholars call the distinct shape boteh and believe it is the convergence of a stylized floral spray and a cypress tree: a Zoroastrian symbol of life and eternity. A floral motif called buta, which originated in the Safavid Dynasty of Persia (from 1501 to 1736), was a major textile pattern in Iran also during the Qajar Dynasty. In these periods, the pattern was used to decorate royal regalia, crowns, and court garments, as well as textiles used by the general population.

The pattern is still widely popular in Iran and Central Asian countries. It is woven using gold or silver threads on silk or other high quality textiles for gifts, for weddings and special occasions. In Iran and Uzbekistan its use goes beyond clothing - paintings, jewelry, frescoes, curtains, tablecloths, quilts, carpets, garden landscaping, and pottery also sport the buta design. In Uzbekistan the most frequent item that can be found featuring the design is the traditional headdress doppi.

The modern French words for paisley are boteh and palme, the latter being a reference to the palm tree, which, along with the pine and the cypress, is one of the traditional botanical motifs thought to have influenced the shape of the paisley element as we now know it.

In Pakistan, paisley designs are widely termed the carrey design. Carrey in Urdu means mango seed.

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